陶艺馆

武汉设计工程学院2023届本科生毕业作品烧制现场陶艺馆留影
Wuhan Institute of Design and Sciences 2023 undergraduate graduation work firing site
Group photo of pottery museum 

 

2023届本科生毕业作品展参展艺术家（按姓氏排序）：陈虹良、杜娇、舒昕怡、韦雨汐、余慧婷
2023 Undergraduate Graduation Works Exhibition Participating Artists (in order of last name): Cen Hongliang, Du Jiao, Shu xinyi, Wei Yuxi, Yu Huiting

 

 

 

前言丨我们想说：

Preface丨We Want To Say

   五月的母校，绿树成荫，一派生机。正如四年前初秋迈进校门的我们，怀揣希望和梦想，内心是憧憬、热血、朝气蓬勃的。我们走进陶艺馆，初识恩师，初试陶土，一切是那么的崭新而惊喜。陶泥的触感、拉坯机的运转、釉火的缠绕，见证了我们四年的磨砺。

   陶艺创作是一个认识世界、表达认知感受的过程，我们用它了解原始生命的密码，翻译中华文化的博大精深；用它塑造抽象的个人世界，突破物象写实架构新的呈现方式；我们也将它与新材料融合，走出特定的历史样式，在原有的基础上推陈出新，透过新视角创新古文化、挖掘新工艺。陶瓷作为传承千年的艺术载体，我们手中的每块泥，无不续写着陶界的今生。

   “道阻且长，行则将至”，四年求学，阶段性成果已然呈现于此。这片展区为我们的青春留下了绚烂的章节，是我们对陶艺的热忱与坚守、对艺术的向往和追求，凝结着全体陶艺学生一路走来的酸甜苦辣。我们感恩母校及陶艺专业呕心沥血的老师们，在此致以衷心的感谢和崇高的敬意。

   旅途的收获早已为我们披上霞衣，今日，我们驶出进站口，新的风景正在徐徐展开，一峦又一峦未知的高峰等待攀赴，"路漫漫其修远兮，吾将上下而求索"，前进吧青春，我们正值年少！

2019级陶艺专业全体学生

May's Alma mater, trees, a school of vitality. As we entered the school in the early autumn of four years ago, with hopes and dreams, the heart is looking forward to, enthusiastic, vigorous. We walked into the pottery museum, first know teacher, first test clay, everything is so new and surprise. The touch of clay, the operation of the billet machine and the winding of the glaze fire have witnessed our four years of grinding. 

Pottery creation is a process of understanding the world and expressing cognitive feelings. We use it to understand the code of primitive life and translate the broad and profound Chinese culture. Use it to shape the abstract personal world, breaking through the realistic structure of the new presentation way; We also integrate it with new materials, out of the specific historical style, on the basis of the original innovation, through a new perspective to innovate the ancient culture, excavate new technology. Ceramics as an art carrier of thousands of years of heritage, every piece of mud in our hands, without a continuation of the life of the ceramic world.

"The road is blocked and long, the line will be", four years of study, stage results have been presented here. This section of the exhibition for our youth left gorgeous chapters, is our enthusiasm for pottery and adhere to the yearning and pursuit of art, condensing all the pottery students along the way of the sour, sweet, bitter and hot. We are grateful to the Alma mater and pottery professional painstaking teachers, here to express our heartfelt thanks and high respect. 

The harvest of the journey has already covered us with xia clothes, today, we drive out of the entrance, the new scenery is slowly unfolding, mountains and mountains of unknown peak waiting to climb, "the road is long to build far, I will be up and down and search", forward youth, we are young!

All students majoring in ceramic art at the 2019 level

 

毕业创作与论文导师：

谢跃，武汉设计工程学院公共艺术学院教授，执行院长

李端妮，武汉设计工程学院公共艺术学院副教授

徐娟，武汉设计工程学院公共艺术学院高级工艺师

罗丹，武汉设计工程学院公共艺术学院工艺师

Graduation creation and thesis supervisor:
Xie Yue, Professor, Executive dean, School of Public Art, Wuhan Institute of Design and Sciences
Li Duanni, Associate professor,School of Public Art, Wuhan Institute of Design and Sciences
Xu Juan, Senior laboratory officer,School of Public Art, Wuhan Institute of Design and Sciences
Luo Dan, experimenter, School of Public Art, Wuhan Institute of Design and Sciences

 

 

参展艺术家与作品

Exhibiting Artists and Works

 

 

A1 展区

A1 Exhibition Area

 

陈虹良

Chen Hongliang

食下拙器

陶瓷材料

Eating a clumsy utensil

Ceramic material

2023

    作品运用简单、朴素的外观设计和低饱和的外观颜色，以侘寂美学和现代日用食具造型相结合，有一种质朴、沉静、自然的残缺之美当中夹带了温柔美好的烟火气息，每一个食器的大小、颜色皆不一，增加产品的整体柔和感并赋予了食具本体和谐而又残缺的视觉冲击，同时每一个食具都是可以被用在生活中的方方面面，也给与我们在使用上的便利。

    “食下拙器”基于“食物”、“意识”、“实物”主题进行思考分析。取自自然的陶土，土性的深沉暗喻自然的力量，轻简的造型是创作中自性的流露。我爱下厨，因此对厨具有莫大的兴趣，这件作品的展出，也是希望将“实用器物”更好地受众于大众，打破单一审美属性边界，让“审美”与“实用”相得益彰。

The work adopted simple and simple appearance design and low-saturation appearance color, combined with wabi-sabi aesthetics and modern daily food products, which had a rustic, quiet and natural incomplete beauty with a gentle and beautiful fireworks atmosphere. The size and color of each food item were different, increasing the overall softness of the product and giving the food products a harmonious and incomplete visual impact. At the same time, each food can be used in all aspects of life, but also give us convenience in use.

"Eating a Stupid Tool" is based on the themes of "food", "consciousness" and "real things". Taken from the natural clay, the deep earthiness implies the power of nature, and the light and simple shape is the revelation of self in the creation. I love cooking, so I have great interest in kitchenware. The exhibition of this work also hopes to introduce "practical utensils" to the public better, break the boundary of single aesthetic attributes, and make "aesthetic" and "practical" complement each other.

食下拙器（展览现场）

陶瓷材料

Eating a clumsy utensil (Exhibition site)

Ceramic material

2023

 

 

A2 展区

A2 Exhibition Area

 

杜娇

Du Jiao

愈

陶瓷材料

Heal

Ceramic material

2023

    当今社会的快节奏使得人们的工作和心理压力不断变大；疫情下的社会人们深感生命的脆弱。宠物往往成为我们不良情感的解药，情绪性的绘画成为我们释放压力的一种方式。作品猫咪形象与陶瓷釉面装饰结合，探索符号背后的情感表现和真情实感，希望展现自身对缓解健康焦虑的情绪，治愈心灵的人文关怀。

The fast pace of today's society makes people's work and psychological pressure constantly increasing; People in society under the epidemic are deeply aware of the fragility of life. Pets often become an antidote to our bad feelings, and emotional paintings become a way for us to release stress. The cat image is combined with ceramic glaze decoration to explore the emotional expression and true feelings behind the symbols, hoping to show their feelings of relieving health anxiety and humanistic care for healing the soul.

愈（作品局部）

陶瓷材料

Heal（Part of the work）

Ceramic material

2023

 

 

A3 展区

A3 Exhibition Area

 

舒昕怡

Shu Xinyi

月

陶瓷材料

The moon

Ceramic material

2023

    随着当今社会城市化的快速发展，对经济利益的过度追求，生态环境破坏愈发严重，我的作品以现代陶瓷工艺的制作手法与自然生态环境里一些形象相结合，以月球的三种不同形态为盘子，动植物为点缀增加空间层次感，从而做到呼吁人们注重环境保护的目的。

    水土流失、垃圾污染、大气污染……过去，我国生态环境状况仅局部改善，总体仍在恶化，如何做到真正全方位得到改善？这些年，国家始终重视生态环境保护问题，环保部出台一系列举措后，环境问题日益精进，取得了不错的成效。但环保之路远远没有走完，仍有很长的路要走，我的作品旨在号召公民树立环保意识，学会与自然和谐相处。巨大的“托盘”、孤独的生物，“逃离地球被迫挪居月球的动植物，该如何适应贫乏的生存条件呢？”

With the rapid development of urbanization in today's society and the excessive pursuit of economic benefits, the ecological environment is becoming more and more seriously damaged. My works combine the production techniques of modern ceramic technology with some images in the natural ecological environment, taking three different forms of the moon as plates and plants and animals as embellishments to increase the sense of space hierarchy, so as to appeal to people to pay attention to environmental protection.

Soil erosion, garbage pollution, air pollution... In the past, the ecological environment situation in China has only partially improved, but is still deteriorating overall. How to achieve all-round improvement? In recent years, the state has always attached great importance to the issue of ecological and environmental protection. After the Ministry of Environmental Protection introduced a series of measures, environmental problems have been increasingly intensified and good results have been achieved. But the road to environmental protection is far from complete and there is still a long way to go. My works aim to call on citizens to establish environmental awareness and learn to live in harmony with nature. Giant "trays," solitary creatures, "plants and animals that fled Earth and were forced to move to the moon, how to adapt to poor living conditions?"

月(作品局部)

陶瓷材料

The moon（Part of the work）

Ceramic material

2023

 

 

A4 展区

A4 Exhibition Area

 

韦雨汐

Wei Yuxi

情绪滴落

陶瓷材料，综合材料

Emotional drop

Ceramic material,comprehensive materials

2023

    爱情总是阴晴不定，它会随着时间、人性、环境等多种因素而改变。我运用陶瓷绞胎技法，将爱心作为设计元素，不同绞胎花型表现爱情中多变的情绪，通过灯光的明灭传达热恋中人们的情绪波动变化，使观者缓解情感焦虑，放松心态。

    作品采用绞胎工艺呈现表达之物的艺术家较少。回溯历史不难探究，绞胎瓷兴起于中国唐代，盛于宋金、衰于元，继而淡出我们的视野，也是近些年，绞胎陶艺才重新被艺术家们关注。

    我以多种不同颜色的泥料相糅合，形成多色变化交替的纹理，以绞胎为路径，切割、重组、新生，正像光怪陆离的爱情，搅动着人的情绪，使之变化多端。却不要使之错综复杂，人心终于归简。

Love is always uncertain, it will change with time, human nature, environment and many other factors. I use ceramic skein technique, love as the design element, different patterns of skein to express the changeable emotions in love, through the light of the light to convey the emotional changes of people in love, so that viewers can relieve emotional anxiety, relax.

There are few artists who use the strangulation technique to present the object of expression in their works. It is not difficult to find out from the history that stranded embryo porcelain rose in the Tang Dynasty, flourished in the Song and Jin dynasties, declined in the Yuan Dynasty, and then faded out of our vision. It is only in recent years that the stranded embryo pottery has been paid attention to again by artists. 

A variety of different colors of mud blend, the formation of multi-color change alternate texture, to twist tire as a path, cutting, recombination, new, just like the grotesque love, stirring people's emotions, so that it changes. But don't make it complicated, the heart is finally simplified.

情绪滴落(师生留影)

陶瓷材料，综合材料

Emotional drop（Teachers and students taking photos）

Ceramic material,comprehensive materials

2023

 

 

A5 展区

A5 Exhibition Area

 

余慧婷

Yu Huiting

愈

陶瓷材料

Heal

Ceramic material

2023

    容格曾尝试用艺术的手段处理自己的哀伤情绪，与潜意识对话。我的作品以猫的形象作为主体，在泥与火中寻找疗愈的力量，并在主体上进行疗愈性插画装饰，是将艺术疗愈的方法融入创作过程并主张通过艺术进行自我关怀。外形松弛、线条随性、色彩轻松，希望创作者与观者都能从中获得平静与美好，从而安然地面对生活中的烦恼，充满爱的力量。

    到了大四这一节点，升学、考公、就业等选择一一摆在眼前，焦虑不安的情绪造成严重失眠。治愈我的是宿舍楼下的两只流浪猫，它们的出现，让我得到片刻的宁静与安慰。我在想，是否就此机会找寻一个压力释放、疗愈自我的方式？我便以猫咪为契机，制作了这项陶艺疗愈作品。

    陶艺创作中，意外常常接踵而至。在初次灌底部有出浆口的大模具时，由于出浆流速较快，泥浆流地遍地都是。第二日在沮丧中打开模具，却惊喜发现开出了完美的造型。因此，毕业作品完整出炉的时候，意义就已经充满了整个过程。

Jung tried to deal with his sadness artistically, speaking to his subconscious. My works take the image of a cat as the main body, looking for healing power in mud and fire, and carry out healing illustration decoration on the main body, which is to integrate the method of art healing into the creation process and advocate self-care through art. The shape is relaxed, the lines are casual, and the colors are relaxed. I hope the creators and viewers can get peace and beauty from it, so as to face the troubles in life peacefully and be full of the power of love.

To the fourth year of this node, the choice of going to school, public entrance examination, employment, etc., one by one, the anxiety caused serious insomnia. What cured me was the two stray cats under the dormitory building. Their appearance gave me a moment of peace and comfort. I wonder if this is an opportunity to find a way to relieve stress and heal myself. So I used the cat as an opportunity to create this ceramic healing work. 

In pottery creation, accidents often follow one another. When there is a large mold with a slurry outlet at the bottom of the primary irrigation, the slurry flow is everywhere because of the faster slurry flow rate. The second day in frustration to open the mold, but surprised to find out the perfect shape. As a result, by the time the final product is complete, meaning is already infused into the process.

愈（作品局部）

陶瓷材料

Heal(Part of the work)

Ceramic material

2023